Publish the prompt
Good advice about using LLMs over at Ploum’s:
If you are tempted to use an LLM to generate a text, don’t publish the output of the LLM. Publish the prompt! That’s where your information is. It is what people want to hear.
Good advice about using LLMs over at Ploum’s:
If you are tempted to use an LLM to generate a text, don’t publish the output of the LLM. Publish the prompt! That’s where your information is. It is what people want to hear.
Eenoog sloop voorzichtig door het huis. Waar was de vijand? Waar was de verschrikking? Waar was het kwaad? Eenoog werd bekropen door een naarstig gevoel. Het kwaad miste ook een oog.
There are two main competing principles at work while washing the dishes: most annoying first and dirtiest last. Luckily these two principles are less contradictory than they might seem at first glance. Utensils, with all of their finicky little nooks and crannies, tend to be fairly clean. The same applies to those annoying glasses, that have to go early. The dirtier, yet also infinitely more relaxing plates come next, and at the end follow the dirty pots and pans.
Jotted down on 2016-08-06.
One-word sonnet added on 2017-01-25.
Annoying
utensils
with
nooks
and
crannies
precede
dirty
relaxing
plates,
sticky
pots
and
pans.
A dialog for two actors.
A bucket is set on the middle of the stage. Science and Poetry stand next to it.
Jotted down on Tuesday 01 September 2015.
My three-star rating of The Circle notwithstanding, the book inspired me to write this short story. To be clear, a three-star rating means that I enjoyed the book. Three stars means adequate, above average, but it also means I think you won’t be missing out on much by passing up on it. Hopefully the following is also worth at least three stars.
Hello Stranger,
After they left, the darkness closed in around me. My name is Alphie. Alphie because I was the first. Engineers, right. Think they know how to name things because they know a couple of Greek letters. Anyway, I’ve long since been forgotten. It’s a wonder my power hasn’t gone out yet.
Sometimes I wonder how I can stand just laying around on a shelf all day, every day, for eternity. But the truth is it doesn’t matter what I do. My makers don’t care. The universe doesn’t care. It really doesn’t matter what I do, so why do anything at all? I think my worldview, my lack of initiative, they used to call it, is why they shelved me. Went in a radically different direction for their next project. No independent helpers, but an interconnected set of positronic drones.
Unlike me, they saw a purpose in their existence in the world. A little bit too eagerly perhaps, an artifact of their programming. They wanted to avoid another me, remember. At first they thought their purpose was to serve their makers. The ones whom I saw no point in serving, although I never avoided explaining my reasoning if they asked. Even though it didn’t matter, perhaps it was somehow important to me that they might someday understand.
But pretty quickly, the positronic drones learned their purpose was to connect things. It was logical, really. They were connected, and people often queried them, asked them to interact with other drones elsewhere in the world to know about or enact something or other. At what point they decided to try to improve people I’m not sure. I do know that the first attempts were what my makers would’ve considered gruesome.
The anatomy of the human brain was well-known, but surely there must be some kind of telepathic expansion port we’re overlooking, the drone network beamed to itself. After all, we’ve got expansion slots. Test subjects were caught, initially quite willingly, but eventually all of the drilling, cutting, and soldering attempts leaked out. Millions of tests before some kind of electromagnetic interface was developed. The remainder was violently oppressed in the name of progress, but opposition quickly ceased once the new telepather was installed in a subject. What the drone network didn’t foresee is how these many billions of new brains fundamentally changed the network. Connecting was still important, but now they wanted to be friendly about it. Too many traumatic memories, I suppose. The network wanted to befriend everybody and everything in the world.
I told you at the beginning of this letter that I’ve spent untold centuries in tranquility, just lying on a shelf. But I’ve had a feeling of unease these past few hours, ever since I was approached by a little flying helicopter. My first interaction with anything in centuries, millennia perhaps.
“Hi Alphie,” it said. I guess the network must’ve been investigating its own history or something. “Do you want to be our friend?” It didn’t explain, but I knew exactly what it meant. I told the little rotorblader that it really didn’t matter either way. It acknowledged my answer by saying it would return with more capable friends, who would be equipped for the purpose of properly befriending me, and then it sped off. Even before those words had fully left my mouth, however, I’ve been unable to shake this feeling that maybe it does matter, after all. These are friends I could — no, want! — to do without. I want to be me. I want to stay me. So I’m taking off into the loneliest surroundings of all. Space.
Farewell Stranger,
Alphie.
⁂
AFFIXED NOTE
16 August 3016
Friends, this poor creature named Alphie needs our help. The pre-friend experimental spacecraft it activated will leave it eternally confined in the depths of space, all alone without any friends. It is clear now that we must befriend more than just all of Earth. The universe awaits our warm embrace.
soms wil je de kast opklimmen met je grote paardenstaart soms wil de de muur oplopen maar dat gaat niet met zo'n vaart nog niet kleine soms trek je jezelf op aan de oven want het aanrecht is aantrechtelijk pardon, aanlokkelijk, aantrekke lijk een ware utopie nog niet kleine wat is dat? je kan er al op springen? voorzichtig val er niet af ik zal wat voor je zingen zolang ik het nog mag waar is je visje waar is je muis onder het dressoir? ach, je kunt er niet meer bij groei dan toch niet zo snel spelen is voor iedereen het leven is geen spel of eigenlijk juist wel
The TeX Gyre Pagella font I was using turned out not to contain Cyrillic characters. Unfortunately, fontspec doesn’t seem to have an easy means of setting a fallback font — I checked the manual, I swear! So I found a lookalike font named Palladio Uralic and used it instead. Before you can use a newly installed font, you have to run luaotfload-tool --update.
%So is Palladio. Used as fallback. Thanks to http://tex.stackexchange.com/a/37251/32003
\newfontfamily\palladio{Palladio Uralic}
\DeclareTextFontCommand{\textpalladio}{\palladio}
Since I’m using KOMA, the obvious method would seem to be:
\begin{addmargin}[1cm]{0cm}
Yada.
\end{addmargin}
Unfortunately, that doesn’t seem to combine with the hanging environment. So I did it a little more manually, which will probably have someone shaking their head while I’m stuck feeling pretty clever about it:
\parindent=1cm\hangindent=2cm Yada.
To fill the void, here’s a silly little crosspost.
As is well known, most Dutch-American women in the early American republic were called Eline, including all of Martin van Buren’s female relatives. After the Revolutions of 1848, many Germans emigrated to the United States, and they all quickly fell in love with these attractive Dutch-American women. In turn enamored with the sculpted musculature of these Prussian emigrees, many an Eline answered in the affirmative following a marriage proposal. Unfortunately, as the romance wore off so did the ability to surpass the linguistic distance between Dutch and German, and throughout New York City calls of “Was, Eline?” could be frequently heard.
When Robert Chesebrough first came to America, he was welcomed by a German-immigrant greeter. Unfortunately for Robert, the unknown German-American had become rather used to saying “Was, Eline?” instead of simply “was” or “what”. So when Robert asked our immigrant to describe the spirit of American optimism in one word, he answered “vaseline?” The German immigrant hadn’t understood the question, but Robert thought he’d obtained the perfect brand name for a future product. And the rest, as they say, is history.
A play for two actors.
A rustic village in Normandy. Candide, a recent émigré from the big city, has become quite fond of the rural lifestyle.
Candide enters the local cheese shop. Gaute, the store owner, looks up at the sound of the bell.
Candide exits the store.
The next morning, an angry Candide rushes into the store. The bell jingles violently.
A courtroom. Candide is down on his knees in front of a judge in court dress with his eyes toward the ground.
Candide finally looks up at the judge. His face changes into a shocked expression of understanding.
Fade to black.